Showing posts with label Tim Burton. Show all posts
Showing posts with label Tim Burton. Show all posts

Friday, 1 May 2015

Top Five Immortal Characters

Immortality has always been a popular trope in all forms of fiction, as it's a perenially fascinating topic. As such there are many great fictional characters who never shuffled off this mortal coil - and here are some of my favourites. 
To keep things interesting I've banned myself from putting any Doctor Who characters on this list (really, I could fill the whole lot up with Who folks - The Doctor, Captain Jack, the Master, the Cybermen...). So read on for a who's-who-and-also-not-in-Who of immortal characters. Hurry up, before we all die of old age...  

 Vampires

Fiction is full of vampires tortured by their immortality, so I've bundled them all into one for the sake of variety (and to represent them I've chosen one of the world's more underappreciated vampires; the Count from Sesame Street. Not enough evil undead give their eternal lives to teach young children arithmatic). They come in different groups. Many like to spend eternity causing bloodshed - Dracula. Some like to spend it righting wrongs - Genevieve Dieudonne who fights the aforementioned Prince of Darkness in Anno Dracula. And others like to switch between both - such as TV vampires Hal York and Spike. Whatever the type, though, you can rely on a vampire to spark an interesting discussion on the nature of immortality. 


The Hempstock Women

The Ocean at the End of the Lane is really the story of two ancient forces battling each other with a small ordinary boy caught in the middle. While the terrifying Ursula is vehemently on the side of the bad, the Hempstock women serve as the boy's saviours and prove that immortality doesn't have to make you tortured - it can just make you wise. The three Hempstocks (almost personifying the stereotypical three witches) and the nature of their long shelflife is well dealt with; we know they were around at the time of the Domesday Book and beyond but we never really find out who or what they are. The Hempstocks tell us that, yes, we don't understand all the mysteries of the universe but sometimes it's better not to. 

 Peter Pan 

It is an oft-discussed notion if one would choose immortality. Certainly, most of the characters on this list would call it a curse. But Peter Pan, the Boy Who Never Grew Up, chooses to be immortal rather than face the terrors of adulthood. At first, just as Peter does, many of us would love to be carefree children forever but there's tragedy in Peter's decision, as ably presented in the surprisingly good 2003 film and messed about with in Steven Spielberg's Hook, as he cannot do such grown-up things as reciprocate his feelings for Wendy. Ultimately, though, it's up to you whether Peter's life is a blessing or a curse, making him one of the most interesting immortal characters around. 

Edward Scissorhands

I was going to put Frankenstein's monster on this list but then remembered that immortality is not really an attribute of Mary Shelley's original creation, more of the films that it spawned. So instead Frankie's gothic cousin Eddie takes his spot on this list. A cross between the monster, the Beast and Tim Burton himself, Edward is an innocent who, just like the monster, is corrupted by the outside world. Unlike Frankie, he's also one half of a doomed romance, partly made impossible by his immortality. Edward serves as a warning that it's no fun to be different. 

Tithonus 

 While others on this list might not have enjoyed their immortality, they at least had the comfort of being frozen in time, never ageing. Unfortunately, Tithonus, one of the unluckiest figures in Greek Mythology, learnt the hard way that your should always check the fine print when wishing for eternal life. After falling in love with this lowly mortal, the goddess Aurora pleaded with Zeus to make him immortal - unfortunately, she forgot to ask for everlasting youth. Thus, Tithonus grows into a withered husk of a man - who his immortal lover eventually grows tired of. Tithonus is the epitome of all immortal fictional characters as he embodies the idea at the heart of all of them; we might all wish for longer lives but you have to be careful what you wish for. 

Friday, 23 January 2015

Scribble Creatures Spotlight: Return to Oz

It's the new year (well, it's January anyway) so there's no better time to start a new regular feature for this blog! From now on, once a month I will put a spotlight on something - be it book, film, television series, fictional character or otherwise - that goes under-appreciated in the big wide world but I think deserves your attention. This month, we kick off this new feature with a trip to a magical world. And you and you and you'll be there...


I've always been fond of the Oz books. If memory serves, I believe they were the first of the classic children's fairy tale fantasies - the Chronicles of Narnia, Alice in Wonderland, Peter Pan - that I read. Equally, everyone's favourite 1939's The Wizard of Oz was watched over and over again. But my favourite story set in the marvellous land of Oz was definitely Wizard's often misunderstood younger sibling, Return to Oz. While its predecessor is forever lauded, Return is often consigned to 'Weirdest Movie Sequel' Lists. Weird it may be but, rather than being a failing, that is really one of its charms.

Six months after her first journey to Oz (but actually made 46 years after Wizard), Dorothy has been having trouble sleeping so she is taken to Dr Worley's asylum to be cured by electrotherapy. But a storm one night saves her from the horrible place and puts her back in Oz which once again desperately needs Dorothy's help...

For starters, Return makes a cleverer move than most film sequels by actively aiming for something new. Unlike the passable Oz: The Great and Powerful, Return to Oz does not just leech off the original, instead translating elements of the classic film to suit its own purpose. One of the most striking ways in which it does this - at least for a child - is by literally bulldozing through the unhampered gaiety and joy of Wizard's Oz. The shining Emerald City is reduced to ruins and all your favourite characters - the Tin Man, the Cowardly Lion - have been petrified into stone. From the off, the film makes sure we know we are in a different kind of Oz.

Possibly the film's most famous attribute is its scares, with many claiming it to be too scary for children. Personally, I wouldn't agree with that as I think its scares are one of the great delights of watching this as a child as well as underlying an important message. There is something sinister at every turn in this film - Nurse Wilson and the screams in the asylum, Princess Mombi's severed heads and, of course, the cackling, creaking Wheelers - yet like all the best fairy tales, this is offset by the knowledge that it will get better. Through the course of the story, Dorothy bands together with some new allies (who could be boring analogues of her more famous friends - Tik Tok = Tin Man, Pumpkinhead = Scarecrow - but they have enough of their own personality to set them apart) and is sure that she will be able to restore everything to the way it should be.

The reason Return to Oz is, I think, unfairly compared to Wizard is because people expect it to be full of songs and cheer. Instead it is a completely different beast, an alternate take on the same ideas. A wonderful, dreamlike film, it emphasises the questionable nature of Oz as a real place or a hallucination by the use of its surrealistic, offbeat stylings. The Wizard of Oz may be a delightful daydream but this is the scary yet meaningful nightmare that never leaves you.


More Like This: 

Tin Man

Return to Oz is by far from the only subversion of the popular Oz image. A few years ago there was this SyFy mini-series remixing of the Wizard of Oz story which employed more overtly fantasy genre elements. Starring Zooey Deschanel, it saw Kansas girl DG sent by a storm to the other world of The Outer Zone to stop the evil witch-queen Askedelia. It's a strange idea, to take one of the very first fantasy novels and redo it with modern fantasy clichés but if you can accept the premise it is a likeable runaround with comic relief coming from Alan Cumming's Glitch, a man missing part of his brain (you don't have to go see the Wizard to have the brains to guess who he's based off).

Alice in Wonderland (2010)

It would be easy to assume that Return to Oz was inspired by Tim Burton's own gothic fairy tale films, if it wasn't for the fact it came out before he was around. While many of his works have a similar tone to Return, the closest film to it in his oeuvre would be Alice, another creepier retelling-cum-sequel to a classic children's fantasy story. It is certainly inferior to Return but it is far from as bad as the critics say, featuring a likeably spirited Alice in Mia Wasikowska and, as ever from Burton, an eye-catching visual style.

Coraline

It really wouldn't surprise me if Neil Gaiman was a fan of Return to Oz, as his work and the film share a similar 'scairy tale' tone. The crossover between the two is no more evident than in Gaiman's Coraline. Both feature capable young girls thrust into a nightmarish other land containing twisted versions of people they know in the real world. The finale of Coraline always reminds me of the climax of Return in that they both feature the villain letting the girl play a game to find an object which will save her loved ones.

Tuesday, 22 October 2013

The Films of Frankenstein

It's alive! I've been working hard in my laboratory and have forged new life from an old feature - Monthly Mini-Reviews, remember them? - for this special gothic-themed series of blog posts. And what celebration of the gothic is complete without a mention of the mighty Frankenstein! Mary Shelley's genius novel about a scientist who creates a man from the dead has captured imaginations for centuries, with the ideas revisited in endless novels, television shows and even stage plays. However, the most famous of these is arguably the  various film adaptations of the story that have sparked into life across the decades. As it would take a whole encyclopaedia to look at every film on the subject, below are four of my favourites. Behold, if you are brave enough, the films of Frankenstein!


Frankenstein (1931)

The undoubtedly most iconic of all Frankenstein adaptations is James Whale's early horror film, primarily known for Boris Karloff's legendary portrayal of the lumbering, flat-headed creature. Without speaking a word of dialogue, and in such grotesque prosthetics, Karloff certainly does an excellent job of showing the creature's innocence and anger. Colin Clive also plays the determined Dr Frankenstein (for some reason, renamed Henry here) well, being believably unhinged enough to undertake his experiments. Despite running for little over an hour, however, it does feels a little stilted in places; although that is more a fault of the Hollywood of the time still grappling with talkies. On the other hand, it has elements that were not only shocking for its time but push the boundaries even now. Not many films made over seventy years ago can say that.

The Bride of Frankenstein (1935)

First things first, Bride of Frankenstein is a rare example of a sequel bettering the original. Everything from the first film is upped; the gothic, the wry humour and, perhaps most importantly, the characterisation of Karloff's monster, in particular his loneliness and desire for companionship. The key to its success is the assured direction by Whale who, amongst the horror and the thrills, injects a sense of fun to proceedings. Also worth noting are the terrific score - particularly the haunting, twinkling theme for the Bride herself - and the unsung hero of the film, the campy, malevolent Dr Pretorius, the man who 'commissions' a bride for the monster. Simply a must-see film of its genre.

Young Frankenstein (1974)

Mel Brooks' thoroughly hilarious spoof of the 1930s films is definitely the funniest incarnation of Frankenstein you'll come across. The ever-endearing Gene Wilder stars as Frederick Frankenstein (it's pronounced Fronkensteen), a descendant of the original mad scientist who is dismissive of his 'famous cuckoo' grandfather. However, a death in the family ends in his returning to Castle Frankenstein. Will he live up to his namesake and create a monster? Answer; yes.
Nearly every joke works (with some sequences so effective, you won't be able to watch the original films without thinking of it) and Wilder has strong support from Marty Feldman as a fourth-wall breaking Igor. It's best scene will have you  laughing every time you hear Putting on the Ritz....

Frankenweenie (2012)

Based on his 1984 short film, Frankenweenie sees Tim Burton tackle a quirky all-ages version of Shelley's immortal tale. After his beloved dog, Sparky (geddit?) dies, schoolboy scientist Victor Frankenstein does the unthinkable and endeavours to bring the dog back to life - with much mayhem ensuing. As a lover of the Universal Frankenstein films (elements of them appear in many of his own works), it's perfect territory for the director to work in and it really does feel classic Burton. Sure, we've seen a lot of the motifs before in his features (not to mention in the original short film itself) but its a charming stop-motion film - totally in black and white - that not only alludes to its Frankenstein film forebears but becomes a celebration of the entire monster movie genre itself. Frankenweenie proves that even after so many versions, the Frankenstein legend has not been done to death - there's still a lot more life in it yet.

Sunday, 21 October 2012

A Blog Post for Burton




With his new stop-motion animated film, Frankenweenie, released in the UK this week, I thought it about time I dedicated a blog to my favourite director, the estimable Mr Burton. The creator of the man with the scissorhands, that skeleton who sings a lot and the Batman movie franchise. Yes, that's right. Bow down to him.

I'm not quite sure how I first encountered Burton's work but I know I found his films not just entertaining but fascinating as a child. And also pretty scary; his horror film Sleepy Hollow - which I probably shouldn't have been watching at a young age - certainly made an impression on under-10 me. I imagine it was his singular style, making the macabre and the grotesque lovable which interested me. I'm not the biggest fan of films (I do like films though, don't get me wrong) but I've always connected with Burton's work and can still say - and I think I'm in a minority here - that I haven't seen a film that he's directed I don't like. Yes, some are certainly better than others and some I only like while others I really like but all of them are good, original, entertaining films. Mainly because they are directed by Tim Burton.

In case you're not familiar with his films but would like to give them a go (and as you can probably tell, I would recommend it) here's my top five films directed by him (so there's no Tim Burton's The Nightmare Before Christmas - ironically not actually directed by the man). So why not book yourself a holiday in a gothic castle or haunted town and take some of these films for company... And watch out for those things lurking in the night. Though they may well just be misunderstood.


Edward Scissorhands

Seen by many as Burton's masterpiece, Scissorhands sees the innocent, abandoned creation of a mad inventor, Edward, a man with - well, you know that part - taken from his castle home to a bright, sunny town where he unwittingly causes a stir among the neighbourhood. Its a wonderful expressionistic film upon which every following Burton film is judged next to. Johnny Depp is superb while Winona Ryder also performs exceedingly well alongside him. Engrossing, funny and tear-jerking.


Batman Returns

While Burton's first Batman film is still fun, its sequel, Returns, is an improvement even though/because its one of the director's darkest offerings. Not the superhero blockbuster many were expecting, its largely a film about a strange batch of severely oddball, psychologically-interesting characters, particularly its villains with De Vito's Penguin, Pfieffer's Catwoman and Walken's Shreck chewing up most of the screen time away from its star. It doesn't have much of a plot but its still great to see the Batman world through a Tim Burton kaleidoscope.


Ed Wood

While not exactly a box office hit, this is probably Burton's most critically lauded film - and deservedly so. Its a biopic telling the tale of 1950s sci-fi/horror director Ed Wood (Johnny Depp - who else?), known by many as the Worst Director of All Time. Filmed in black-and-white (a trick Burton is using again for Frankenweenie) it properly captures the feel of the sort of movies the real Wood made and avoids the obvious route of making fun of Wood. Instead it views him as an optimistic individual with dreams bigger than his talent could match.


Sleepy Hollow

A rare proper horror film from Burton, Sleepy Hollow is a lavish production that looks great as well as being a genuinely well-told story. Based on the classic spooky tale by Washington Irving, lateral-thinking detective Icabod Crane is called to the creepy New England town of Sleepy Hollow to investigate tales of the fabled Headless Horseman - and has his beliefs tested to the limit. Part-horror, part-whodunnit supported by a fantastic cast, this remains one of Burton's most entertaining films.


Corpse Bride

Truth be told, even if I could include Nightmare on this list, Corpse Bride would still get the place. Although I'm extremely fond of its counterpart, I prefer Corpse's style and think Burton's experience shows in the film's confidence. It also possesses a stronger story; Victor Everglott has been forced into an arranged marriage, terribly nervous about his upcoming wedding he practises his vows in a forest only to accidentally wed Emily, the corpse bride, and becomes embroiled in the ironically lively world of the dead. At the moment, it's my favourite of Burton's stop-motion films but I'm hoping Frankenweenie will give it a run for its money.



In other news: I write for WhatCulture! now Whatculture! is cool.

If you're interested, please read my first article for the good people at Whatculture! titled '7 Doctor Who Monsters Who Most People Forget.' Go check the site now to see which of the show's array of beastly baddies made it on to the list. Oh, and watch that space for future articles. See you there.


Saturday, 7 April 2012

Vids of the Month!

Settle down on the sofa and grab some popcorn cos it's Easter Saturday, its sometime in the morning it's...

VIDS OF THE MONTH!


1.Doctor Who Season Seven trailer

Although we still have months to wait for the Ponds' final adventures with the Doctor this Autumn, at least we now have a mouth-watering trailer to gawp at in the absence of any new episodes. Based on the evidence below, we've got tonnes to look forward to! WILD WEST! DALEKS! ROBOT COWBOYS! You can even see Rupert 'Lestrade' Graves in the corner of one shot if you squint!




2. Creepy Watson

Without saying too much, this is somehow one of the funniest yet scariest things you'll see in a while. You wont be able to see Holmes' faithfu friend in the sme light again...




3. Dark Shadows trailer

As a massive Burton fan, I've been eagerly awaiting his - one of two  - new film(s) this year 'Dark Shadows', a film version of a cult US gothic drama from the 70s. I didn't really know much about it other than it starred Johnny Depp as a vampire. Well, untill I saw this. Hmm, it's not really what I expected...I'll still watch it though.




4. Dalek Relaxation

Peter Serafinowicz shows once again why he's one of the funniest comedians around with this inventive suggestion of what the Daleks may have been working on during their sabactical from Who. Ready, everyone? Sit back, close your eyes and relax...




5. Lego Sherlock

And to finish us off this month - one of the greatest scenes on televsion EVER restaged with Lego figurines! What's not to love? It may just be me, but despite the funny visuals, the soundtrack played over it still packs an emotional punch. That's the power of Sherlock for you. See you next time!


Tuesday, 6 March 2012

Vids of the Month!

Yes, it's that special time again!

It's time to drop everything and watch some youtube videos (like you weren't doing that already)!

It's time... for VIDS OF THE MONTH!

*Cheap gameshow music*

Yes, ladies and gentlemen we have a great collection of short videos for you to enjoy today. Let's start the countdown!



5. THE SIMPSON PUPPETS!

For a long-term Simpsons fan and childhood Muppet fan, this segment from a Simpsons Christmas special from a couple of years ago meant lots of laughs. I think it's a good example of how, in my opinion, the Simpsons is still just as funny as it used to be - I'll always prefer it to Family Guy. Warning: contains Katy Perry.





4. BEING HUMAN'S 'LITTLE RED RIDING HOOD.'

A fun scene for you all that was posted on the Being Human website showing Tom the werewolf telling a pro-wolf version of the fairy tale to baby Eve. Aw





3. 'A HEAD, SHERLOCK?!' 'JUST TEA FOR ME THANKS!.'

I just had to include a scene from Sherlock. From the opening of Series One finale 'The Great Game' this is one of my favourite moments from the whole series. It shows no matter where you dip into the show the characters of Sherlock and John and their relationship come through; the careless, lazy but brilliant detective and his put-upon everyman best friend. I particularly like the bit where Sherlock virtually insults John and then seems suprised and a little hurt when he walks out. A cracker. 





2.  THE AVENGERS TRAILER


As this blockbuster behemoth is being released soon, I thought I'd post the trailer here. Bound to have comc book fans across the world salivating for the duration of the film, it will famously bring the majority of Marvel's superheroes together in one film. I myself am not overly eagerly awaiting its release - Spiderman, the only Marvel superhero I particularly like is absent from the film - but it is written and directed by Buffy the Vampire Slayer creator Joss Whedon who will surely make a good job of it.






1. TIM BURTON'S VINCENT


Here is something a lot more up my street. While he was still working at Disney in the 80s, Tim Burton made this short film of a boy who prefers spending time wallowing in his macabre imagination than play with other children out in the sunshine. It's pure Burton gold from when he was still new and fresh and Vincent Price's narration gives it exactly the right tone. Magic.





That's your lot for this month. Tune in again soon for more Youtube raidings! Guh'night!
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