Review: The Game (Series One)

I spy with my little eye... Here's a look at the BBC's recent dip into the current spy craze, Toby Whithouse's The Game...

Having been a massive fan of his supernatural comedy-drama Being Human, I was eager to see Doctor Who writer Toby Whithouse's next series - a John Le Carre-esque spy thriller set in the Cold War. Well, to enjoy the series you need to leave Being Human behind at the door (though that won't stop me mentioning it throughout this review) as across the six episode (first? only?) series The Game creates its own world in which people in the shadows threaten our daily life...

The Game sees our MI5 heroes investigating the apparently apocalyptic Soviet Operation: Glass - while 5's best spy, Joe Lambe, has his own goal, finding the vicious Odin, the KGB assassin who killed his girlfriend.

Firstly, The Game's biggest success is probably its recreation of a world on the brink of nuclear war, with the UK and the USSR sparring with spies rather than soldiers (the show is effectively shot, fittingly full of greys and browns rather than blacks and whites). Yet this setting would fall flat if it wasn't for the well-developed cast of characters. There's not the believability of BH's flatmates but we get a hefty impression of each of the MI5 team, including the socially-awkward Q-like Alan, played by Sherlock's Anderson, and Brian Cox's 'lion of espionage' codenamed Daddy. While the most enjoyable character is surely middle-aged mummy's boy Bobby Waterhouse, from whom the greatest source of humour comes, our protagonist is Joe Lambe, a moody agent with murky morals whose played by the Cumberbatch-ian Tom Hughes (expect to see more of him in the future). Because of this, the expected 'we've got a mole' storyline is genuinely surprisingly - gold star for anyone who guesses who it is.

If I am honest, however, a personal preference for the wackier side of spy fiction (see: The Prisoner) stopped me from totally loving the series. Also, for me, The Game tried to echo the hush-hush world of real spying so much the show was sometimes short of a certain fizz. In many ways, it is closer to Whithouse's Doctor Who episodes in which he will try on a genre e.g. 'A Town Called Mercy' rather than the assured storytelling of Being Human. Damn, I did it again.

But while this series may lack the sense of fun and depth of character that was the signature of Being Human (I just can't help myself, can I?), it was possibly a tighter run of episodes than many of BH's, boasting a well-developed plot and an interesting character arc for Joe. Here's hoping any wrinkles can be ironed out if the show gets a second series. Then The Game will really be afoot.

The Game's up! - Joe knows there's a mole in MI5. But who is it?

Review: Being Human Final Episode - The Last Broadcast

For five years, thirty five hours, Being Human had entertained us with its wonderful mix of the domestic and the supernatural, great drama and hilarious comedy and overall, at the show’s core, its fantastic characters. We had seen vampire Mitchell (Aiden Turner), werewolves George and Nina (Russell Tovey and Sinead Keenan) and ghost Annie struggle to keep being human in face of their afflictions, with sadness and laughs along the way, until they all met their heart-breaking ends – bets are out on which is the saddest. On Sunday, the story of the show’s current heroes, bloodsucker Hal, lycanthrope Tom and spook Alex, and that of the entire series, came to a close. The show has been reliably good at climaxes from Herrick’s plans for revolution in Series One, Mitchell’s fall from grace in Series Three to last year’s the Old Ones and their prophecy for humanity’s end (remember Mark Gatiss’ delicious turn as Mr Snow?). However, could the show’s creator Toby Whithouse pull off the big one; the finale episode, the last broadcast of Being Human?

As you may have worked out during this over-long, melodramatic introduction, it bloody well did.

The writing is excellent, finding time for both reflection on all three main characters as well as the traditional ‘end-of-the-world’ action that finales have. The episode starts with the trinity in surely the worse positions they can possibly be; Hal seemingly having abandoned humanity and killing again, Tom ready to murder his best friend and Alex trapped in her own grave. It’s hard to believe that things can deteriorate for them even more. And then we find out the Devil has gone walkabout and plans to bring about the apocalypse. Some days are just like that, aren’t they?

When the dream sequences kick in is really when the episode gets into the meatier, more uniquely Being Human fare as our heroes are shown an ideal world they long for, by that sod of a Devil. Each gets to the heart of the characters as well as the show itself; three supernaturals fighting to lead mundane, boring, wonderful human lives. Whithouse has clearly had at least a rough idea of this episode in his head for a while and it really shows as events head to an ending that, although I never saw it coming, makes perfect sense. Either one you pick.

It’s not just the writing that sparkles in this episode with all major cast members playing a belter. Phil Davis relishes playing the biggest villain of them all, forming every word with audible malice and nuanced guile. He gets some fantastic lines over the hour, both ones that will make you chuckle or send a shiver down your spine. Really, though, the stars of this finale are Kate Bracken, Michael Socha and Damien Molony, each completely nailing their characters while also moving them on somewhat. We get to see a slightly more vulnerable side to Alex, a brave, responsible one from Tom and a Hal – once split between good and evil – who slowly comes together as a person. Each approaches the ending stronger and more human, accepting of what is to come.

On the whole, ‘The Last Broadcast’ – possessing a terrific title, by the way – is a truly fitting end to the entire series; one that’s well-written, well-performed, heartfelt yet bravely ambiguous. Toby Whithouse’s denouement should keep fans debating the fates of his characters for many years which I imagine is precisely what he wanted. All I know is that Being Human has been a series consistently terrific throughout its run, delivering everything from jokes about the quality of Black Swan to showing the Earth on the brink of Armageddon – on several occasions. Come early next year when the series would usually be on, I shall miss it but it is comforting to know that this was a show with the courageous conceit of being about being human and completely succeeded. And for that, everyone who worked on the show should be extremely proud.

P.S. This review is 666 words long. Just thought you might like to know…

Review: Being Human Series Five - Episodes 4-5

With ‘The Greater Good’, Being Human seems to have realised that it is in its final series as here, after a couple of generally light-hearted episodes, things very suddenly shift up a few gears. Several plot threads that have been bubbling under the surface are addressed such as Hal realising he is responsible for Crumb and attempting to set him back on the right path – whilst his one-time romance with Alex also begins to resurface. Also interesting is the new light we get to see on Tom’s character as he has to mentor innocent werewolf Bobby in the ways of the world, when usually Tom is the pupil.

Although the character of Crumb slightly grates with this reviewer, he gets a decent role here, his struggle with humanity reflecting Hal’s own problems, and Ricky  Grover’s Bobby is an endearing soul meaning that ‘The Greater Good’'s glut of characters and their different story lines work, with most coming off well.

Talking of lots of characters, there’s an unexpected family atmosphere to this episode with previously shady or mistrusted characters such as Rook and Crumb almost being part of the gang. Even Hatch muttering away evilly in the background is like a grumpy grandfather. It’s fun to have this aspect to the show although, as I'm sure you’re aware, it doesn't last.

Overall, this episode serves its role of getting the series to the high stakes (awful pun intended) it wants for the two finale episodes and delivers some occasional laughs and surprisingly touching moments.

‘No Care, All Responsibility’ is a stronger episode than the previous as, in affect, it’s the one where Hal, Tom and Alex’s world comes crashing around them. Thankfully each one getting a sizeable chunk of the action.

Tom has got the chance to mature considerably in the last two episodes and Michael Socha rises to the challenge as Tom here starts to feel 'feelings' for a new waitress at the hotel. Similarly, Kate Bracken does wonderfully, Alex acting as the audience surrogate here as she finally catches on to the fact that Captain Hatch is not just a simple old man. Meanwhile, Damien Molony delivers another top-notch performance as Hal tips ever-closer to the precipice, looking noticeably scruffier and out-of-it than previously seen. To see a character so obsessed with cleanliness and order giving in to chaos is near heart-breaking. That said, Evil Hal is a lot of fun.

He isn't the only bad character getting some time this episode, though. Mr Rook is becoming one of my favourite characters this series with Steven Robertson just treading the right line between respectable civil servant and callous, driven man-on-the-edge. His partnership with Hatch over these two episodes is great stuff, highlighting Rook’s vulnerability yet determination and Hatch’s coercive nature.

As this is the penultimate episode of the series ever, of a show that has had had some really great cliffhangers, it is perhaps not quite as thrilling as some past pre-finale episodes (Series One and Series Three spring to mind as having stronger shock value), although it is a very effective ending in terms of both horror and emotion. All the worse things that could happen do, including a very creepy and unnerving scenario for one of our heroes which hopefully doesn't end up being their fate.

Because we know the finale to end all finales is coming next week much of the plot developments for this episode are a tad predictable although there is at least a couple of turns that aren't totally expected. However, thanks to the fantastic work the writers and actors have done you’ll be drawn in completely, caring for everyone’s favourite supernatural trinity. And worrying whether they will make it to the end.

He. Will. Rise.

Review: Being Human Series Five - Episodes 2-3

Shortly after the series five opener aired, the BBC released some shocking news for Being Human fans everywhere; this would be the final series! Showrunner Toby Whithouse has since promised to end the show on a high note, with the finale of Series Five acting as a full, proper climax for the entire five-year-old series. Suddenly, each of the next five episodes to come became that bit more precious…but would they deliver?

'Sticks and Rope', the second episode, really covers all the bases to deliver a solid instalment of the show. There’s a lot of comedy on show, courtesy of the Employee of the Month contest at the hotel which sets Tom and Hal against each other (will those two just get on?) and the bossy ghost of Victorian boy Oliver, who is haunting Honolulu Heights. Touching moments come largely from Alex this episode as she has to accept that her family have moved on and so must she. Plus, there’s a rare moment of proper horror this episode in the form of the Men With Sticks and Rope, the oft-mentioned but never-before-seen guardians of the afterlife. 

Captain Hatch – the Prince of Darkness personified as a grouchy old man - is also hugely enjoyable to watch – as I'm sure he was to play. I'm also a fan of Mr Rook, the cool, calculating Man in Grey who seems to have a plan for Crumb (who I'm more lukewarm about). 'Sticks..' is once again a hodge-podge of all the elements but gives them all a tad more breathing space than the previous episode. 

However, while 'Sticks and Rope' suffers as the first episode did from having to continue setting up the disparate plot threads for the series, 'Pie and Prejudice' has no such responsibility - with Crumb and Hatch both entirely absent - and so seems to enjoy itself a lot more. 

This week, we get introduced to egotistical TV weatherman and werewolf Larry Chrysler who tutors Tom on how to become a success (one must aim for a bite of the success pie, apparently) and Hal’s 250-year long acquaintance ghost Lady Mary who Alex discovers may not be quite what she seems. The first half of the episode is a generally light-hearted affair although it becomes somewhat darker – and to this reviewer, more interesting – as things escalate.

Although Tom and Alex get a sizeable slice of proceedings this week, it’s Hal who gets the best moments - his motivational speech to Tom and a tense scene with Larry being the best. Hal is my favourite character of the new trinity, Damien Molony regularly gives a sturdy performance as the obsessive-compulsive vampire. The latter half of the episode's focus on Hal's struggle with his blood lust and his friendship with Tom reassured me of why I'm so fond of the character. I do hope he and his friends will get the end to their story they deserve. But I'm going to guess and say it's going to be a bumpy ride. 

Overall, although neither episode is an instant Being Human classic, both are very enjoyable episodes that, although Being Human is sadly soon to end, prove - if you excuse me this - the show is both taking its success pie and eating it. 

Review: Being Human Series Five - The Trinity

With a shorter run of episodes than the last few years, you would expect this new series of Being Human to cut back on the multiple plots and side-plots but writer Toby Whithouse again shows his dexterity at handling his show by stuffing this opening episode full of different story threads. Apart from our own heroes' problems, we are introduced to a host of characters; dullard but dangerous vampire Ian Cram or ‘Crumb’, the inhabitants of the sleepy yet oddly sinister Barry Grand Hotel and we get to see more of Mr Rook and his Men in Grey organisation after their cameo at the end of last year’s finale. Add in a series of flashbacks concerning Hal in league with the leader of the werewolves, Lady Catherine, and ‘necromancer’ ghost Emil in 1918 and you have quite a packed episode. While having scope and breath of storytelling is no bad thing (it's one reason why BH is such a great show), dealing with setting up all these series-starters does mean the episode doesn't get a time to do much else. There’s little room for, say, the series-finale level of excitement that last year’s opener managed (although I'm fine with that if it means we don’t have a main character leave as in that case). However, now that all these story-plates are spinning on their series-sticks (this metaphor’s getting a bit laboured, isn't it?) it will be interesting to see how things develop.

As the episode is called ‘The Trinity’, you’d expect it to perhaps focus on Hal, Tom and Alex coming together as a group. Although this isn't really the case (just as Tom and Hal’s growing friendship last year, the trio’s gelling as a whole may be on an on-going thing) there are some nice moments for our heroes. Hal gets most of the action as we follow him trying harder than ever to shirk his blood cravings as he enters another bad phase. That said, there’s some touching scenes involving the usually nonchalant Alex’s emotions coming to the fore as she realises the weight of what being a ghost means; that she can’t do anything from kissing someone to eating chocolate or change her shoes. Tom gets little to do on his own but we do get to see him and Alex bond after he starts to annoy her feisty soul with his old-fashioned, overly-polite, ways of treating women. Overall, it shows great promise from the new trinity over the next few episodes.

By the looks of things, the show might always be this busy with the both the Men in Grey and Captain Hatch seemingly sharing the status as main antagonists for the series. Without giving anything away – the devil’s in the detail, you know - veteran villain actor Phil Davis has the potential to be a great nemesis for our heroes and, although they don't really meet, from what we see of him here he can go from foul-mouthed vitriol to conniving politeness to downright creepy. It’s difficult to see at the moment how Hatch and everyone will fit together but, on the whole, this episode has done the tough job of starting up the series again as well as being funny and ambitious alongside - just like the best of Being Human.

Being Human is Back!

This week, BBC3's supernatural comedy-drama about a werewolf, a ghost and a vampire, Being Human howls/bites or floats its ways back to our screens this week for a fifth series. The biggest issue for many surrounding it is that it is the first series to contain a main cast totally different from the line-up of the first series. The original housemates, Annie (Lenora Crichlow), George (Russell Tovey) and Mitchell (Aiden Turner, seen on the big screen recently for his portrayal as Kili the Dwarf in The Hobbit) having been succeeded by Alex (Kate Bracken), Tom (Michael Socha) and Hal (Damien Molony). The other change is that the series has been snipped from eight episodes to six, like the first series. While others are apprehensive, for a number of reasons, I'm highly anticipating the series; I think it could be the best since Series One. 

Although I loved the original 'trinity' back in their day, I think a new friendship at the heart of the show could really reinvigorate it; and, all three new leads have been in the show before. Hal and Tom were leads in last year's series, their budding friendship, being the crux of most episodes while Alex became familiar with viewers at the end of that series. As those who saw last series know, Alex' transition into ghosthood is arguably Hal's fault so their friendship may be a little spiky - especially as, according to the series finale, Hal is entering one of his 'bad moods' when he gets his ... cravings back. However things will shape up, what we have seen of the trio together so far I think is extremely promising. 

The shift in structure could also be a good turn for the series. With just six episodes, the writers will really have to streamline the overarching plots that creator Toby Whithouse is fond of which may help the focus of the show. Also, I really like the idea of that our heroes run a hotel, as is the premise of this new series. As nearly every episode revolves around a fellow supernatural visiting their house anyway so to make that part of the plot makes perfect sense. 

Plus, this series will also give us Phil Davis as Captain Hatch, an embittered old military man with a hatred for supernaturals. Mr Davis has some big shoes to fill as Being Human has had some great villains over the past four years. Series Two's deranged, misguided priest Kemp, the idealistic Cutler, the delicious evil king of the vampires Mr Snow (Mark Gatiss can always be relied upon to play a good villain). However, the ultimate Being Human villain is Series One and Three's main antagonist William Herrick, a dedicated, vicious vampire intent on vampire insurrection. Jason Watkins (who's to guest star in a Neil Gaiman-penned episode of Doctor Who later this year) pitches Herrick exactly right; somewhere between full-on quipping, hissing villainy to a believable human being (or near enough) with extraordinary ambition. The show has never let me down on the villain front, though, so I've high hopes for what Davis will deliver, as he has previously played villains in my two other favourite television series, Doctor Who and Sherlock. 

Obviously, I'd recommend you tune into BBC3 this Sunday to catch the first episode of the series, 'The Trinity', but if you're still not convinced have a butcher's at the trailer below. Farewell. 

Avengers Assemble - British style!

Well, the picture above really doesn't need any introduction unless, perhaps you've been living in a cave these past few weeks. And, frankly, I'm sure even hermits residing in the Himalayas have heard of this movie. The Abominable Snowman keeps them posted. His favourite is the Hulk, obviously.

Anyway, getting sidetracked. Yes. this is Marvel's The Avengers which is everywhere at the moment. Literally. I wouldn't be surprised to wake up tomorrow and find its logo tattooed across my forehead. So, in a simultaneous act of joining in with the fad and going against it (I'm complex like that, you see) I thought I'd blog about something that would get me as excited as comic book fans across the world at Joss Whedon's multi-hero epic.

What if there was an 'Avengers' team of British TV characters?

I first thought of this idea earlier on today whilst looking for anything to distract me from essay-writing and, like the TV geek I am, thought of who would be the TV equivalent of each Avenger. So, without further ado, here are the British Avengers!

THE DOCTOR

Well, the Doctor was always going to make it in, wasn't he? But, what's more, he's the obvious candidate for filling the role of Thor.
One is a God-like being from another planet who often protects Earth from evil extraterrestrials and the other's... well, I think you see where I'm coming from. The Doctor's is a hundred times cooler than Thor, of course. And I'm sure he could short circuit Thor's thunderin' hammer thing with a buzz from the sonic.

SHERLOCK HOLMES

Cumberbatch's Sherlock is also definitely the Iron Man in this team. Both are arrogant geniuses not known for their people skills. Downey's Tony Stark also can't keep away from the limelight and is a favourite of the media. Remind you of anyone? *Cough* The Reichenbach Fall *Cough*

Also, it's rather fitting that Cumberbatch is Iron Man here as actor Robert Downey Jr also plays the same character as Cumbers in Sherlock Holmes blockbuster series.

GWEN COOPER

A joint team of UK TV heroes needed a female amongst them so I've chosen Torchwood's Gwen Cooper to step up to the post. An equally feisty, action-y, top secret agent of a shady organisation as Scarlet Johanssen's Black Widow. Gwen's just more Welsh.

This one was a bit tougher than the others as there are less female lead characters on TV. I considered River Song and Amy Pond (it's the red hair) but River's too strong to be the Black Widow of this group and Amy is not quite a hero in her own right yet (I'd say her husband is more) so I gave the role to Gwen. Oh, the things I do in the name of procrastination.



HENRY 'HAL' YORK

Vampire Hal (from BBC Three's Being Human) is definitely the Hulk of this team. Just like Bruce Banner, he has a nasty, animistic side that he can't keep under wraps no matter how hard he tries. Hal's a bloodthirsty villain when  the vampire mood takes but otherwise he's a hero, helping to save the world in the last BH series. Plus, his name even sounds like Hulk when you say it quickly. Eh?

CAPTAIN JACK HARKNESS

And, yeah, you probably guessed it. He is, of course, Captain America. This one was obvious but there's actually more similarity between them. Jack is a man out of his time (Cap'n A is from the past, Cap'n J is from the future) and they were both soldiers in World War Two. Jack's even been frozen once or twice.




Yup, that would be the British TV Avengers. I imagine they would get on even less than the film lot. They would be fighting THE MASTER , by the way. He's the obvious choice for the counterpart of Loki here. They're both enemies of the alien of the gang, both sort-of brothers (I'm not going to get into that Who fan argument now) and both share a love of failed attempts to conquer Earth. There's probably loads of fan boys and girls who'd love Tom Hiddleston to play the Master at some point anyway

And there you are. If universes collided, these would be the five TV characters I'd like to see team up to save the world. And I'm pretty sure if I wrote fan-fiction I would be writing about the meeting of these fantastic five. There's loads of other variants you can apply the Avengers idea too. Go on, make your dream Avengers-type teams up! Your inner geek has probably already come out to play while watching the real Avengers movie so why not indulge it a little more.

Vids of the Month!

Yes, it's that special time again!

It's time to drop everything and watch some youtube videos (like you weren't doing that already)!

It's time... for VIDS OF THE MONTH!

*Cheap gameshow music*

Yes, ladies and gentlemen we have a great collection of short videos for you to enjoy today. Let's start the countdown!



5. THE SIMPSON PUPPETS!

For a long-term Simpsons fan and childhood Muppet fan, this segment from a Simpsons Christmas special from a couple of years ago meant lots of laughs. I think it's a good example of how, in my opinion, the Simpsons is still just as funny as it used to be - I'll always prefer it to Family Guy. Warning: contains Katy Perry.

4. BEING HUMAN'S 'LITTLE RED RIDING HOOD.'

A fun scene for you all that was posted on the Being Human website showing Tom the werewolf telling a pro-wolf version of the fairy tale to baby Eve. Aw

3. 'A HEAD, SHERLOCK?!' 'JUST TEA FOR ME THANKS!.'

I just had to include a scene from Sherlock. From the opening of Series One finale 'The Great Game' this is one of my favourite moments from the whole series. It shows no matter where you dip into the show the characters of Sherlock and John and their relationship come through; the careless, lazy but brilliant detective and his put-upon everyman best friend. I particularly like the bit where Sherlock virtually insults John and then seems suprised and a little hurt when he walks out. A cracker. 

2.  THE AVENGERS TRAILER

As this blockbuster behemoth is being released soon, I thought I'd post the trailer here. Bound to have comc book fans across the world salivating for the duration of the film, it will famously bring the majority of Marvel's superheroes together in one film. I myself am not overly eagerly awaiting its release - Spiderman, the only Marvel superhero I particularly like is absent from the film - but it is written and directed by Buffy the Vampire Slayer creator Joss Whedon who will surely make a good job of it.

1. TIM BURTON'S VINCENT

Here is something a lot more up my street. While he was still working at Disney in the 80s, Tim Burton made this short film of a boy who prefers spending time wallowing in his macabre imagination than play with other children out in the sunshine. It's pure Burton gold from when he was still new and fresh and Vincent Price's narration gives it exactly the right tone. Magic.

That's your lot for this month. Tune in again soon for more Youtube raidings! Guh'night!

Review: Being Human S4 Ep 2-4

                        Michaela can't believe her luck when she's thrown into the supernatural world

Seeing as I posted a review of the opening episode of this, the fourth series of supernatural comedy-drama Being Human I thought I should produce another, a sequel, of sorts – oh yeah, it’s all Hollywood glitz and glamour here. I was hoping to get the king of modern movie franchises, Robert Downing Jr, to read it out but he was just a little out of my price range – summarising my opinion of how the series has progressed up to now, half-way through its run.

So, in summary, I’m pleased to say it’s been unfailingly excellent. The new cast-line up has proved a huge success in my eyes. Both Michael Socha’s werewolf Tom and Damien Molony’s vampire Hal are perfect in their roles, banishing thoughts of them as mere replacements for George and Mitchell. Their characterisation is also one of the series’ strongpoints. Tom is an innocent, often naïve with a hefty temper but is always endearing thanks to Socha while Molony oozes cool as Hal, a well-spoken, anti-social eccentric who has to stick to his strict routine as a way of combatting his bloodlust. Of course,  it almost goes without saying that Lenora Crichlow is once again wonderful as Annie, incredibly comfortable in her character by now and also relishing her new role of mother of ‘her boys.’ There’s still not the sense of family and great friendship that made the previous supernatural trio work so well but its early days and is an issue which is itself being addressed in the episodes.

Speaking of episodes, the three that succeeded the promising opener, ‘Eve of the War’ have delivered, being  consistently funny and stirring. The touch is definitely lighter this year which comes as a nice relief after the heady Series Three. Episode two, ‘Being Human 1955’ served its function of bringing Hal to Honolulu Heights (the gang’s humble but garish abode) along with producing some great lines (‘look, are we done flirting cos I’ve made plans to self-harm?’ ) and memorable moments (the tense scene between the antiques shop owner and Hal).

‘The Graveyard Shift’ strengthened the relationship between Tom and Hal as they are forced to work together in a café, a situation that gets worse when vampires attack. This is the episode when the two of them really come into their own; a nice touch for long-term fans being their switching over of ‘The Real Hustle’, an old favourite of George and Mitchell’s, to watch ‘the Antique’s Roadshow.’ It was also nice to see more of Mark William’s geeky Regus and the introduction of self-proclaimed ‘Dark Poet’ Michaela.

The fourth episode immediately receives the award for Best Title Pun with ‘A Spectre Calls’ (a reference to classic film ‘An Inspector Calls’) and is perhaps my favourite so far. James Lance is deliciously duplicitous as 70s spectre Kirby, who claims to have been sent by Nina from ‘the Other Side’ to hep Annie look after baby Eve but seems to have more fun creating cracks in our heroes’ happy home. As someone who loves villains who love being nasty, Kirby is great, played with the right amount of humour and menace. Also, we are given more hints as to the identity of the ominous ‘Man with the Burn on His Arm’ who, it is said, will kill Eve. Bring on the next four episodes!

And if this wasn’t enough, I’m pleased to inform you that I’m planning a thrilling third post to conclude this riveting trilogy of reviews after the final episode of this series has aired.

Until then I will leave you with some fun lines in GIF form. Laters.

Review: Being Human S4 E1 - 'Eve of the War'

For my Creative Non-Fiction module we were asked to write a review of something to workshop (that's where you read out your work and others give feedback, non-Creative Writers). I, as is evidently clear by this blog's title, reviewed the first episode of 'Being Human' which I really think you shou- well, I don't need to say anything more it's all below.

                                                          The new line-up for Series Four.

As I sat down to watch the first episode in a new series of supernatural comedy-drama Being Human, I was a little apprehensive. For the uninitiated, Being Human has the quirky premise – that also sounds like the start of a bad joke – of ‘what if a vampire, a werewolf and a ghost shared a house?’ The stories, in practise, revolve around the trio trying to forge an ordinary life despite their horror–story handicaps. What I have always liked about its previous series is the mix of big plots with a keen sense of humour which prevented it from taking itself too seriously. I also found myself caring about what happened to the characters next – which is really what you want from any good story.

So, even though I enjoy Being Human, the reason I was apprehensive about this new series was, because most of the main cast had left, it was being promoted as something of a ‘reboot’, a term often used to describe new versions of film franchises. I wasn’t totally against the idea of a reboot as the amount of additional characters that had joined the show meant it had maybe become a bit bloated – for example, the premise of last year’s series was more ‘three werewolves, two vampires and a ghost share a house.’ However, as I as a big fan of the show I was worried this reset would go awry. Thankfully, it didn’t and I really enjoyed it.

Firstly, this opening episode really hits the ground running, or perhaps sprinting would be more accurate. We are immediately shown a ‘Terminator’-style future Earth where vampires have taken over before returning to the present day to find Annie (she’s the ghost) comforting a grieving George (he’s the werewolf) who’s girlfriend was apparently not long ago killed by the fanged fiends – it’s shocking news although annoying this big event happens off-screen.

 If this all sounds a bit solemn then there’s plenty of fun to be had when the vampires turn up, hatching plans for world domination, no less, relishing their amorality as they go. Special marks here go to Mark Williams (Ron’s Dad in Harry Potter) who gives an entertaining turn as the geeky ‘Vampire Recorder.’ The mention of whose name elicits the sarcastic ‘‘I’m sorry for a second there I thought you had a stupid name.’’ Also, for those of us who like noticing little in-references, their hideaway is an old warehouse named ‘Stoker’s Imports and Exports’, a nod to the Dracula author.

The whole thing culminates with another cast member biting the dust (I’m not telling who) in a genuinely poignant scene which acts as closure for the series’ past, followed by a look to the future as new resident nice vampire, Hal is introduced. Overall, there could have been more humour but with the amount of game-changing plot the episode was stuffed with I’m willing to forgive. I’m sure the balance will be redressed as the series progresses. Based on this episode, I think I’ll definitely stick around to see it.

                                                Latest 'resident nice vampire' Hal (Damien Molony)
                                                 

So what do you think? If I was writing it for this blog first no doubt it would have been a lot gushier, the fan that I am, and a whole paragraph would have consisted of 'I LOVE BEING HUMAN. I LOVE BEING HUMAN. I LOVE BEING HUMAN' but I was aiming for a more professional tone and for it too appeal to those who don't watch the show. Thankfully, someone said that they liked how anyone could read it so I think I reached my goal. I enjoyed writing this review actually so I might end up doing a couple more about the series over the coming weeks. Watch this space.

Vids of the Month!

Hello and welcome to the first installment of 'Vids of the Month!'

*Pause for canned applause*

Here I showcase a random group of five videos from Youtube that I think you should take a look at. Get the popcorm ready and enjoy the vids...


BEING HUMAN IS BACK!

Long time readers of my blog (alright, the long-time reader. Alright, my mum) will know that I'm a big fan of BBC3's supernatural drama 'Being Human' (It really annoys me when people call it 'supernatural comedy' which just dismisses the drama. It's as funny as Doctor Who which no one describes as a 'Sci-Fi comedy'). Well, this month it has returned to our screens and as per usual, prequels have been released online to fill out the back story of the series' new characters. The best of them this year is effectively creepy introduction to the Old Ones, the fabled lead vampires who are soon to wreaking havoc in Barry Isalnd (where the show is set). See if you recognise the guest star at the end.

THE MANY D'OHS OF HOMER SIMPSON

And now for something completely different. Here's a five minute run through every single 'd'oh' Homer utters in the first twenty seasons of the show. It might induce some sort of seizure, turn you insane or perhaps you may have a spiritual epiphany but try and make it to the end.

DISCLAIMER: any ill effects you may suffer as your mind dribbles out your ears while watching this are not the fault of me. Ok, now we've got that sorted. Go ahead and watch.

MEN'S FIRST STEPS ON THE MOON - DOCTOR WHO STYLE

I'm afraid the thumbnail rather ruins the twist of this vid, Oh well, enjoy!

CLASSIC BUTTERFIELD!

If you haven't seen any of Peter Serafinowicz' inept businessman here's you chance. He appeared on Serafinowicz' sketch show a few years ago and the man himself has talked of a film being made on the character. Butterfield even has his own Twitter account on which at the moment he is campaigning to get himself appointed the new England manager.

THE DARK KNIGHT RISES!

You most probably have seen this by now if you're a Batman fan (and there are a lot of us) but here's an excuse to watch it again. Bane! Catwoman! It's out this summer! Can't wait!

Well folks that's all we have time for today. We'll be back with another volume of videos to make you laugh, cry and skip if you don't like them.

Till next time!

*Perpetual waving until credits roll*

Some shameless plugging

I think it's about time I used links to promote my own things rather than other websites, so here are a list of my facebook pages -  if you have Facebook (and the likelyhood is you do, but if you don't, hey we cater to all sorts here) please like them if they tickle your fancy.

The Eleven Faces of Doctor Who - my general Who page, celebrating all of the programme's long history.

Sherlock (BBC TV Series) - A page decicated to my other favourite fictional world  - Sherlock Holmes, particularly the Steven Moffat/ Mark Gattiss modern-day version.

Being Human - For the excellent BBC3 series about a werewolf, a vampire and a ghost who live together.

The Torchwood Page - About Doctor Who's kickass spin-off show featuring the immortal Captain Jack and his team of alien experts.

Team TARDIS - I had to have one more Who page - this time dedicated to my favourite Who leads (as you probably already guessed from the aside photo), Matt Smith, Karen Gillan, Arthur Darvill and Alex Kingston.

Being Human is Brilliant!

No, this isn't going to be an oddly reflective piece on the highlights of humanity - sorry, philosophy students- but a post on BBC3's excellent drama Being Human.

The series follows the lives of a Vampire, a Werewolf and a Ghost who share a house. Unfortunately, this sounds like the set-up to a bad joke which does the series a serious injustice. It's really about the main character's dogged attempts to work themselves back into ordinary society and lead normal lives. Sometimes this leads to humourous escapades but more often then not, to a heartbreak for one of our terrific trio.

Talking of terrific trios - the strength of the cast  is one of the show's great assets. Let's take a look shall we?

Lenora Crichlow is Annie, the sweet young girl who fell down the stairs of her house and has since haunted the place due to 'unfinished business'.
She is seen by no-one until fellow supernaturals George and Mitchell come to live in her house.
One of Annie's most endearing aspects is here insistence on making her friends endless amounts of tea- even though she cannot drink them herself.

Aidan Turner is tortured vampire Mitchell. Over a hundred years old, Mitchell has slaughtered millions due to his 'addiction' to blood. However, he is determined to go cold Turkey and give up his blood-sucking ways. Although, this is easier said then done.

Poor Mitchell always seems to have the worst luck of all our heroes. Be it given life-changing prophecies, made a reluctant 'king of the vampires' or - oh, yes- an endless addiction to human blood - it's certainly not a lark being Mitchell.

 

And, last but certainly not least, is Russel Tovey who plays the geeky but loveable George who was attacked by a werewolf on holiday in Scotland and now transforms into a werewolf every full-moon.

George first met Mitchell when the valiant vampire saved him from a group of viscious fellow blood-suckers. They soon became the best of friends and soon moved into a certain haunted house in Bristol...

But its not only the acting which is tremendous about this show. The writing is excellent; each episode and the overall story arc equally engaging. It also helps that each series (of which there have now been three) have had a different story to tell.

Series 1 as well as introducing the characters deals with the mystery of Annie's death and, more prominently, the sadistic Vampire boss Herrick's attempt at world domination.

Series 2 sees the thret come from humanity itself when the gang is tracked down by the shady Professor Jagget's organisation which claims to be able to cure supernaturals...

Again, this sounds like silly stuff but its all done with the right balance of comedy and drama so you really care for the characters when their world is repeatedly put at risk. 

And Mitchell, George and Annie's world is never more threatened than in the recent series 3. Dealing with the forces of a resurrected Herrick, the Police and that of Hell itself, surely not all of our heroes can survive to fight another day...

So, if this little introduction to one of the best programmes on telly has whet your appetite, please check out series 3 on Iplayer now.

 

'Fangs' for listening.