Now that Doctor Who is getting a new showrunner in the near future, it's time to look at the best work of the previous incumbents of the job. Last month, it was Russell T Davies' turn. Today, it's the man who has overseen more Doctors than anybody- Steven Moffat...
Showing posts with label Rose Tyler. Show all posts
Showing posts with label Rose Tyler. Show all posts
Sunday, 10 July 2016
Thursday, 9 April 2015
Doctor Who: Step Back in Time - The Unquiet Dead
To celebrate Doctor Who's tenth anniversary, it's time to look back at the story that started it all. Well, for this fan anyway...
*Disclaimer: As mentioned in several previous posts, 'The Unquiet Dead' is a very important Doctor Who for me so this review shall be shamelessly personal*
I have a very vivid memory of 9th April 2005, ten years ago this very day. It was a Saturday evening and I was settled in front of the TV, happy to be finally about to catch an episode of this new sci-fi series that I had managed to miss so far. Whizz forward 45 minutes, and I was even happier - it was fair to say this Doctor Who had captured my attention. In no small part due to the episode I had chosen to watch first.
'The Unquiet Dead' is the first in the distinguished line of the so-called 'celebrity historicals', a subgenre of new Doctor Who that includes 'Vincent and the Doctor,' and last year's 'Robot of Sherwood' (sort of) - and I think it's one of the best, delivering an enjoyable snapshot of its guest star. Simon Callow plays 'ol' Charlie boy' to a T (a role he's returned to in the Whoniverse in 'The Wedding of River Song'). His Scrooge-like awakening might be swiftly-handled but it is well done, particularly the Tiny Tim-quoting final line. It might not be as deep a character study as the aforementioned Vincent but it is probably the best episode for taking a famous author on an adventure just like their own fictions.
As such, the usual stars of a Doctor Who episode - its monsters - might not be as good as many others but the Gelth deserve something for being the first controversial creation of the revived series (the visceral sound of the Gelth snapping their victim's necks is not something I think the BBC would allow now). Importantly, this episode told us that Doctor Who could still scare the Dickens out of us.
As with every Doctor Who, it's the Doctor who makes the episode and Christopher Eccleston's number Nine is at his best here. Going from cheeky and charming to commanding and stubborn in a flash - just look at the seance scene where he goes from quipping one moment ('I love a happy medium!') to outlying his alien nature, by allowing the Gelth to inhabit human corpses, the next. Also of note is the chemistry he and Billie Piper share here. Much is made of that between Tennant and Piper but the still-grieving Ninth Doctor is positively bursting with love for Rose, just as she has burgeoning feelings for him. In short, this episode has both salient parts of the show in check - the love and the monsters.
In retrospect, this was the perfect Doctor Who for me to catch first - I love a bit of Victoriana and you can't beat a good ghost story - but those interests actually came later. What struck me at the time about 'The Unquiet Dead' was just the power of the show. The time travel, the monsters, the adventure and the amazing, eccentric man at its heart. This episode isn't one you often see on best episodes lists, even on lists of the best episodes of this series, but it's always been special to me. It might not be up there with the absolute classics but it contains all the elements that make Doctor Who great. The best evidence for that is the fact that I am writing these words at all, all these years later, now a seasoned Doctor Who fan - something for which I have this episode to thank.
And so, as Charles Dickens almost observed, God bless 'The Unquiet Dead', everyone!
'What the Shakespeare?'
*Disclaimer: As mentioned in several previous posts, 'The Unquiet Dead' is a very important Doctor Who for me so this review shall be shamelessly personal*
I have a very vivid memory of 9th April 2005, ten years ago this very day. It was a Saturday evening and I was settled in front of the TV, happy to be finally about to catch an episode of this new sci-fi series that I had managed to miss so far. Whizz forward 45 minutes, and I was even happier - it was fair to say this Doctor Who had captured my attention. In no small part due to the episode I had chosen to watch first.
'The Unquiet Dead' is the first in the distinguished line of the so-called 'celebrity historicals', a subgenre of new Doctor Who that includes 'Vincent and the Doctor,' and last year's 'Robot of Sherwood' (sort of) - and I think it's one of the best, delivering an enjoyable snapshot of its guest star. Simon Callow plays 'ol' Charlie boy' to a T (a role he's returned to in the Whoniverse in 'The Wedding of River Song'). His Scrooge-like awakening might be swiftly-handled but it is well done, particularly the Tiny Tim-quoting final line. It might not be as deep a character study as the aforementioned Vincent but it is probably the best episode for taking a famous author on an adventure just like their own fictions.
As such, the usual stars of a Doctor Who episode - its monsters - might not be as good as many others but the Gelth deserve something for being the first controversial creation of the revived series (the visceral sound of the Gelth snapping their victim's necks is not something I think the BBC would allow now). Importantly, this episode told us that Doctor Who could still scare the Dickens out of us.
As with every Doctor Who, it's the Doctor who makes the episode and Christopher Eccleston's number Nine is at his best here. Going from cheeky and charming to commanding and stubborn in a flash - just look at the seance scene where he goes from quipping one moment ('I love a happy medium!') to outlying his alien nature, by allowing the Gelth to inhabit human corpses, the next. Also of note is the chemistry he and Billie Piper share here. Much is made of that between Tennant and Piper but the still-grieving Ninth Doctor is positively bursting with love for Rose, just as she has burgeoning feelings for him. In short, this episode has both salient parts of the show in check - the love and the monsters.
In retrospect, this was the perfect Doctor Who for me to catch first - I love a bit of Victoriana and you can't beat a good ghost story - but those interests actually came later. What struck me at the time about 'The Unquiet Dead' was just the power of the show. The time travel, the monsters, the adventure and the amazing, eccentric man at its heart. This episode isn't one you often see on best episodes lists, even on lists of the best episodes of this series, but it's always been special to me. It might not be up there with the absolute classics but it contains all the elements that make Doctor Who great. The best evidence for that is the fact that I am writing these words at all, all these years later, now a seasoned Doctor Who fan - something for which I have this episode to thank.
And so, as Charles Dickens almost observed, God bless 'The Unquiet Dead', everyone!
![]() |
| Ghost town - The Ninth Doctor and Rose find Victorian Cardiff swarming with spectres. |
Tuesday, 24 June 2014
Doctor Who: Step Back in Time - Series Four
Our look back at the past series of Doctor Who - in time for the Twelfth Doctor himself's début series coming in a few months time - this month materialises on the final full-series of the last Scottish Doctor to play the part (fun fact: there's been three); the series that's never a bore and leaves us wanting more, that's Series Four.
The Unicorn and the Wasp by Gareth Roberts
After Series Three's 'The Shakespeare Code', Roberts proves himself as Doctor Who's wittiest and certainly funniest writer with a cracker of a pastiche on Agatha Christie mysteries, starring the queen of detective stories herself. Due to its whimsicality and breezy tone, it's an adventure that might not have the blockbuster factor of other episodes this series but should be equally celebrated none the less.
Turn Left by Russell T Davies
It is rare in Doctor Who that we ever see things get too bad as the Doctor is always on hand to save the day - although, not in 'Turn Left' he's not. One of the show's bleakest ever episodes, 'Turn Left' gives us a skewered version of the Whoniverse wherein every alien invasion goes right, delivering a number of striking scenes, great emotion and Catherine Tate's finest performance as Donna.
Midnight by Russell T Davies
Series Three arguably showcases RTD's greatest work on Doctor Who and that is no better demonstrated than in this chilling stage play of an episode. Bravely taking place largely in just one set, Davies cranks up the claustrophobia with the unseen entity that mimics its prey before possessing them. This is a Doctor Who that isn't afraid to be different and daring and is all the better for it.
TARDIS Team
Series Four has by far the loosest story arc of these first four series, completing the trend that had begun with Series Two's lighter approach to a linking narrative than Series One. In lieu of shadowy mentions of 'Torchwood' or 'Mr Saxon', we have ominous remarks about the Medusa Cascade, the bees disappearing, 'there is something on your back' and the like which all reference something to come later in the series. However, the recurring motif here is really more of a visual one. Across the series we see, hidden on screens that the Doctor doesn't see, the face of Rose Tyler, the Doctor's tragically lost best friend, screaming out the Time Lord's name. This is kicked off in the series opener when Donna inadvertently speaks to Rose on a street corner and builds to the series' penultimate episode 'The Stolen Earth' where the Doctor and Rose are finally reunited, just in time to face the Daleks yet again. This time, however, returning for the first time since the classic series, they also come head-to-horribly-scared-head-with-a-third-eye with Davros, the original creator of the Daleks, who plots to destroy the whole of reality. Just another day for the Doctor...
With the series basking in and drawing to a close its own mythology that had developed over the past few years, Series Four has a certain valedictory feel, and thankfully goes out with a bang. Ready for a brand-new incarnation of the show. Because the journey never ends...
Next month: Series Five - Doctor Who may have regenerated but it's still got legs...
Starring: David Tennant (the Doctor), Catherine Tate (Donna Noble), Freema Agyeman (Martha Jones), Billie Piper (Rose Tyler) with John Barrowman (Captain Jack) and Elisabeth Sladen (Sarah Jane Smith).
Produced by: Phil Collinson and Susie Liggat
Executive Produced by: Russell T Davies, Julie Gardner and Phil Collinson
Best Episodes
After Series Three's 'The Shakespeare Code', Roberts proves himself as Doctor Who's wittiest and certainly funniest writer with a cracker of a pastiche on Agatha Christie mysteries, starring the queen of detective stories herself. Due to its whimsicality and breezy tone, it's an adventure that might not have the blockbuster factor of other episodes this series but should be equally celebrated none the less.
Turn Left by Russell T Davies
It is rare in Doctor Who that we ever see things get too bad as the Doctor is always on hand to save the day - although, not in 'Turn Left' he's not. One of the show's bleakest ever episodes, 'Turn Left' gives us a skewered version of the Whoniverse wherein every alien invasion goes right, delivering a number of striking scenes, great emotion and Catherine Tate's finest performance as Donna.
Midnight by Russell T Davies
Series Three arguably showcases RTD's greatest work on Doctor Who and that is no better demonstrated than in this chilling stage play of an episode. Bravely taking place largely in just one set, Davies cranks up the claustrophobia with the unseen entity that mimics its prey before possessing them. This is a Doctor Who that isn't afraid to be different and daring and is all the better for it.
TARDIS Team
To counteract his past two companions who had both harboured romantic feelings for him, the Doctor was now simply after 'a mate' - something he found when remeeting his old acquaintance Donna Noble.
As with Rose and Martha, Donna's journey aboard the TARDIS is one of maturity and self-discovery as well as one around time and space. Although where they came to appreciate their own worth and skills, Donna is forever racked with a lack of self-confidence which bubbles under her fiery façade. Something which tragically comes to a head when she reaches the 'Journey's End'...
This being the last full series of the RTD era, the series finale has a suitably celebratory feel, bringing together not only Doctor Who with its offspring, Torchwood and The Sarah Jane Adventures, in the return of Captain Jack and Sarah Jane, but also rounding up all the major characters from the past four years. However, the show still has Donna at its heart, providing the revived series stand-out saddest moment. Previous friends of the Doctor have exited the TARDIS, if not always of their own accord, then with a wealth of wonderful experiences behind them and as better people. The tragedy of Donna's story is that she has her entire time with the Doctor erased, as if it had never happened. Even though he has the biggest family on Earth, the Doctor ends the series alone once again. As he would be until the end of his life. Which was actually, right around the corner.
Story Arc
With the series basking in and drawing to a close its own mythology that had developed over the past few years, Series Four has a certain valedictory feel, and thankfully goes out with a bang. Ready for a brand-new incarnation of the show. Because the journey never ends...
Next month: Series Five - Doctor Who may have regenerated but it's still got legs...
Sunday, 27 April 2014
Doctor Who: Step Back in Time - Series Two
Taking a break from a celebration of all things comic (that's comic strips, not funny comic - this blog is always dedicated to the funny. No, don't laugh at that!), it's time to continue with a retrospective look at the series of Doctor Who, in preparation for the arrival of Peter Capaldi's début series later this year. This month, we look back at another (Scottish) Doctor's inaugural year in the TARDIS. It's Mr Fantastic himself (yes, I know I said I was giving the comic-theme of this month a rest), The Tenth Doctor!
Story arc
Taking its lead from the previous series' running references to 'Bad Wolf', Series Two makes several passing nods to the mysterious 'Torchwood.' As seen in 'Tooth and Claw', after being attacked by a werewolf, Queen Victoria creates the Torchwood Institute to protect her empire from all alien threat - including the Doctor. It isn't until a hundred years later that the Time Lord finally bumps into them - just as the Cybermen break through from their dimension into ours. Followed by another of the Doctor's old enemies, the Daleks, who have yet again survived the Time War. Before you can say 'pest control', the Daleks and the Cybermen cause worldwide destruction in the Battle of Canary Wharf, resulting in the dissolution of Torchwood. Or so the Doctor thinks...
In some ways, Series Two could be viewed as a large backdoor pilot for Russell T Davies' long-held dream of making an adult sci-fi show, an idea which became Torchwood, based around Captain Jack's version of the Institute run from Cardiff. Soon after this, another character who appeared in Series Two, classic companion Sarah Jane Smith, starred in her own spin-off show, The Sarah Jane Adventures. With the central show at the top of its game and in rude enough health to spawn two sister series, Doctor Who was truly travelling to brave new worlds.
Next month: Series Three... Have you met Miss Jones?
Starring: David Tennant (the Doctor), Billie Piper (Rose Tyler), Noel Clarke (Mickey Smith) and Camille Coduri (Jackie Tyler).
Produced by: Phil Collinson
Executive Produced by: Russell T Davies and Julie Gardner
Best Episodes
Tooth and Claw by Russell T Davies
Often overlooked in the grand scheme of Doctor Who episodes, 'Tooth and Claw' is a fine adventure, mixing a simple story about an old werewolf folktale come to fruition with the 'true' personal history of Queen Victoria. This is an episode that Who's original creator, Sydney Newman with his dedication to education, would be proud of.
Girl in the Fireplace by Steven Moffat
The episode that proved the Moff was not a one-hit wonder after 'The Empty Child' and could repeatedly deliver the goods. The writer's typical time-wimey shenanigans (on first display here) are used to tell one of the most heart-rendering romances in Doctor Who's history - and it involves the Doctor himself...
Army of Ghosts/Doomsday by Russell T Davies
I'd be remiss if I did not mention the series finale which sees the Doctor's hearts broken when Rose Tyler is lost to him in a parallel universe. Chuck in a war between the Daleks and the Cybermen and the spin-off series spawning Torchwhood and you've got one of the most memorable episodes in the whoniverse.
TARDIS Team
Has there ever been a companion who has emotionally effected the Doctor more than Rose Tyler? In the time they travel together, he goes from a warrior suffering from survivor's guilt to a chirpy, dashing hero (it's a personal theory that the Doctor influenced his regeneration into a young handsome Londoner to impress Rose). With Rose at his side, this new Doctor is a lighter soul than his immediate predecessor but still feels the weight of being the last of his kind at heart. He also seems to have picked up Rose's humanity - what is it with Time War survivors and Rose? See 'Dalek' - as seen in his emotional farewell to Rose herself. Dear Rose made such a mark on the Time Lord that he mourned her loss for a long while; when it came to his regeneration many years later, his visited her immediately before dieing. The Doctor and Rose are such a perfect match, it's no wonder that the pair are often ranked at the very top of TARDIS teams.
The only other frequent flyer joining those time-travelling love birds on their adventures this series is Rose's ex Mickey Smith who finally gets his dues here as he matures from 'Mickey the Idiot' to 'Mickey Smith: Defender of the Earth', fighting the Cybermen. Elsewhere, Jackie Tyler is still around to root the TARDIS to modern-day Earth while a parallel version of Rose's dad, Pete Tyler, is also discovered, meaning that when stuck on said alternate world, Rose has a complete family once again. And for a while, the Doctor did too. Unlike Number Nine, this Doctor definitely did domestic.
Story arc
In some ways, Series Two could be viewed as a large backdoor pilot for Russell T Davies' long-held dream of making an adult sci-fi show, an idea which became Torchwood, based around Captain Jack's version of the Institute run from Cardiff. Soon after this, another character who appeared in Series Two, classic companion Sarah Jane Smith, starred in her own spin-off show, The Sarah Jane Adventures. With the central show at the top of its game and in rude enough health to spawn two sister series, Doctor Who was truly travelling to brave new worlds.
Next month: Series Three... Have you met Miss Jones?
Thursday, 27 March 2014
Doctor Who: Step Back in Time - Series One
With Doctor Who's eighth series starring Peter Capaldi's brand-new incarnation of the Doctor in a few short months, it's time to start a retrospective look at the Doctor Who of years gone by. First up, it's 2005 and the show has been off the air for 16 years. Until one Saturday teatime nine years ago yesterday, Doctor Who returned, triumphant. The rest is history... and the future and occasionally the present.
The Empty Child/The Doctor Dances by Steven Moffat
No list of the best of Series One would be complete without this wondrous two-parter. Moffat really shows us what he's made of here with his customary mix of humour, scares and cleverness being sharper than ever. Starring the creepiest 'monster' in years, 'The Empty Child' proved that Doctor Who still had fangs...
TARDIS Team
From the opening credits of 'Rose' we know that the traditional dynamic of Doctor Who has changed. No longer will the companion, though the original run produced many bright and shining ones, be reduced to needing the Doctor to save them or handily asking all the right questions. This show was all about the Doctor and Rose Tyler, his latest time-travelling companion. Though don't tell her there's been others.
Steven Moffat has gone on record saying that the first two series of the revived show 'belonged' to Billie Piper and in many ways it's hard to argue. Though the tortured yet barnstorming Ninth Doctor is undoubtedly our hero (and as much as I love his fellow Time Lords, Christopher Eccleston offers perhaps the most robust performance of any Doctor) Rose is our eyes and ears. We learn about the Doctor as she does. Who he is, his mysterious, war torn past and, by the end, his little 'trick for cheating death'...
Throughout the series, the Doctor and Rose are also joined on their travels by Adam Mitchell, the companion who was kicked out the TARDIS after one episode, and the whole lot more loveable Captain Jack Harkness who has, of course, since gone on to helm his own spin-off series in Torchwood. Mention must also be given to Rose's mother, Jackie, and her ex-boyfriend, Mickey, who serve to anchor the show to the real world. Though one would get his turn in the TARDIS eventually...
Story arc
Doctor Who had properly materialised in the 21st century with this innovation for the series itself but beloved motif of every other contemporary television show; the story arc. The linking narrative of Series One is slight on the ground but rightly so as something more direct would have detracted from the easing-in to the world of Doctor Who that the series aimed for. The message of 'Bad Wolf' littered through space and time is a neat device and one which is still referenced in the show now, think last November's 'The Day of the Doctor.' Paradoxes have since become a fixture of Doctor Who, particularly in Moffat stories, but the 'Bad Wolf' meme (created by a god-like Rose only after seeing the phrase already) proved that the show was fresher and more imaginative than ever. Doctor Who was back. But it wasn't staying still.
Did someone say 'Barcelona'?
Next month: Series Two... New Doctor, that's weird.
Starring: Christopher Eccleston (the Doctor), Billie Piper (Rose Tyler), John Barrowman (Captain Jack), Noel Clarke (Mickey Smith) and Camille Coduri (Jackie Tyler).
Produced by: Phil Collinson
Executive Produced by: Russell T Davies, Julie Gardner and Mal Young
Best Episodes
Rose by Russell T Davies
The episode that relaunched Doctor Who for the 21st century serves as a tremendous introduction to all the elements that define the Davies era; the root in the contemporary world, the Doctor's brooding nature and the companion at the heart of the story. A rollocking adventure that promises a whole lot more to come...
Father's Day by Paul Cornell
Although more gung-ho adventures such as 'Dalek' usually get all the attention, 'Father's Day' is an equally terrific episode, and perhaps the first that shows how much the Doctor Who of 2000s is built around its characters. If you like your timey-wimey monster mayhem tinged with touching human drama, this is the Who for you.
The Empty Child/The Doctor Dances by Steven Moffat
No list of the best of Series One would be complete without this wondrous two-parter. Moffat really shows us what he's made of here with his customary mix of humour, scares and cleverness being sharper than ever. Starring the creepiest 'monster' in years, 'The Empty Child' proved that Doctor Who still had fangs...
TARDIS Team
From the opening credits of 'Rose' we know that the traditional dynamic of Doctor Who has changed. No longer will the companion, though the original run produced many bright and shining ones, be reduced to needing the Doctor to save them or handily asking all the right questions. This show was all about the Doctor and Rose Tyler, his latest time-travelling companion. Though don't tell her there's been others.
Steven Moffat has gone on record saying that the first two series of the revived show 'belonged' to Billie Piper and in many ways it's hard to argue. Though the tortured yet barnstorming Ninth Doctor is undoubtedly our hero (and as much as I love his fellow Time Lords, Christopher Eccleston offers perhaps the most robust performance of any Doctor) Rose is our eyes and ears. We learn about the Doctor as she does. Who he is, his mysterious, war torn past and, by the end, his little 'trick for cheating death'...
Throughout the series, the Doctor and Rose are also joined on their travels by Adam Mitchell, the companion who was kicked out the TARDIS after one episode, and the whole lot more loveable Captain Jack Harkness who has, of course, since gone on to helm his own spin-off series in Torchwood. Mention must also be given to Rose's mother, Jackie, and her ex-boyfriend, Mickey, who serve to anchor the show to the real world. Though one would get his turn in the TARDIS eventually...
Story arc
Doctor Who had properly materialised in the 21st century with this innovation for the series itself but beloved motif of every other contemporary television show; the story arc. The linking narrative of Series One is slight on the ground but rightly so as something more direct would have detracted from the easing-in to the world of Doctor Who that the series aimed for. The message of 'Bad Wolf' littered through space and time is a neat device and one which is still referenced in the show now, think last November's 'The Day of the Doctor.' Paradoxes have since become a fixture of Doctor Who, particularly in Moffat stories, but the 'Bad Wolf' meme (created by a god-like Rose only after seeing the phrase already) proved that the show was fresher and more imaginative than ever. Doctor Who was back. But it wasn't staying still.
Did someone say 'Barcelona'?
Next month: Series Two... New Doctor, that's weird.
Friday, 23 November 2012
Countdown to Doctor Who at 50: The Tenth Doctor
Happy birthday, Doctor Who; you're forty-nine years old today! To celebrate let's continue my countdown through all the Doctors, which has reached its penultimate stop with the brilliant Tenth Doctor. Allons-y!
I'm the Doctor. I'm a Time Lord. I'm from the planet Gallifrey in the constellation of Kasterborous. I'm 903 years old, and I'm the man who's gonna save your lives and all six billion people on the planet below. You got a problem with that?
The Doctor (David Tennant)
After Doctor Who became one of the biggest shows on television once again with Christopher Eccleston as the Doctor for one wonderful swift year, the pressure was all on his successor. If he wasn't well-received the show's popularity might have dwindled as quickly as it rose. However, this was not the case as upcoming actor David Tennant was chosen to be the Tenth Doctor. With Tennant in the lead, Doctor Who continued to grow and grow in public adoration and perhaps enjoyed its most popular period up to that point. As a sign of how successful Tennant's Doctor was it could be argued that he has replaced Tom Baker in the public consciousness as 'Doctor Who.' If that isn't success I don't know what is.
Just from first glance, the Tenth Doctor is straight away very different from previous Doctors. Clad in pinstriped suit, converse trainers and 'sticky-uppy' hair, he's a younger, more modern character who might reference Kylie Minogue (and meet her) rather than Shakespeare (although he met him too). Underneath though, he's still the Doctor we know and love, the genial, lively persona which hides a kind yet lonely soul, one that still bears his predecessor's survivor's guilt. In fact, he was a Doctor who perhaps cared more than any other; taking deaths to innocents personally and refusing to give evil-doers second chances. As his own life continued and he lost so much along the way, his righteous side was shown more often until he had to face his inner - as well as external - demons when the whole of time itself was threatened and the Doctor once again put others before himself. In many ways, then, the Tenth Doctor is a coming-together of traits from all the previous Doctors - the Fourth's manic energy, the Fifth's vulnerability, the Eighth's love for life - but he was also a lot more human, allowing the weight of the world to get to him. Effected, maybe, by his many human companions...
Shop girl, Rose Tyler, whom had been travelling with him since his previous regeneration, was particularly special to this Doctor. The inseparable pair shared several adventures in which their fondness for each other grew until they were forced apart. When an Earth-shattering even occurred involving a Dalek/Cybermen war, Rose became trapped on a parallel world. While Rose's loss left a huge shadow over the Doctor, he did have other companions to see the universe with such as Martha Jones, a trainee Doctor who saved the Doctor's own life on numerous occasions, and Chiswick girl Donna Noble, the most important woman in the whole of creation. As other friends included Captain Jack, Mickey Smith, Jackie Tyler, Lady Christina, Jackson Lake, Adelaide Brooke and Donna's own grandfather Wilfred Mott, Sarah Jane Smith was not lying when she said that this Doctor had 'the biggest family on Earth.'
The Ones to Watch
Rightly seen as one of Who's greatest episodes, this is a gripping, creepy and funny mini-movie that, although others have been Doctor-lite, feels unique in the history of the show. Carey Mulligan becomes the show's lead for forty-five minutes and pulls it off brilliantly.
The Stolen Earth/ Journey's End
Series Four's two-parter finale is a great big, throw-everything-in party celebrating the Russel T Davies era of the show. You not only have every companion of the Tenth Doctor but also a humongous load of Daleks plus their creator, Davros! Sure, it isn't the tightest plot line Who's ever had but it includes an excellent cliffhanger and a heart-breaking exit for Donna.
A fascinating and rather bleak episode from the tail-end of the the Tenth Doctor's time, 'Waters...' sees the Doctor on a doomed Martian base which he can't save from destruction without breaking the laws of time. Lindsey Duncan is excellent as the captain of the base while it includes perhaps the Doctor's biggest ever character development...
Subscribe to:
Posts (Atom)

















