Showing posts with label Terry Pratchett. Show all posts
Showing posts with label Terry Pratchett. Show all posts

Friday, 9 January 2015

Monthly Mini-Reviews: December - Christmas Special

Well, it's that time again. Christmas has come and gone and it's literally only just turned New Year...
Oh, I can't lie. I'm afraid there's been a technical mishap here at Scribble Creatures HQ. This post, my Monthly Mini-Reviews Christmas Special, should have gone out in the first days of January but that doesn't seem to have occurred. I do apologise - I've no idea how that happened. It seems there is a Ghost of Christmas Past in the machine...
And speaking of ghosts in machines:

Black Mirror: White Christmas

It was only natural that Charlie Brooker's techno-paranoia anthology series would get a Christmas special. After all, what says Christmas more than a reminder that the future is just around the corner? Acting as the series' usual trilogy of stories all in one, this feature-length episode serves us three interconnected tales from a chilling near-future (all based around Jon Hamm and Rafe Spall who both give terrific performances). First and foremost, Brooker's writing is once again on top form - the bleakness and the strangeness are cleverly ofset by the razor-sharp wit and satire that runs throughout. The second segment is the weakest and I have to say I saw some of the twists coming but that does not take away from the... enjoyment seems like the wrong word to attach to something so grim. So was it a white Christmas, after all? No, No, it was black. So very black.

Good Omens (radio series)

Following on from the terrific radio series of Neil Gaiman's Neverwhere it was a no-brainer to adapt Terry Pratchett and Neil Gaiman's comedy about the end of the world as a festive treat.
The story  - a distinctly British way of approaching the apocalypse - transitions well to the medium, ably helped by the drama's amazing cast. Comedians Peter Serafinowicz and Mark Heap are great choices for the roles of angel/demon partnership Aziraphale and Crowley (though I imagine many are still holding out for Benedict Cumberbatch and Tom Hiddleston if the story ever makes it to film) and are well supported by Merlin's Colin Morgan, Paterson Joseph and Louise Brealey amongst others. Overall, I may have preferred Neverwhere but this was still a wonderful slice of alternative Christmas entertainment. Well, you can't get more 'alternative Christmas' than the Antichrist.

The Golden Compass

I've been avoiding The Golden Compass for years now due to its lacklustre reputation for being a poor adaptation of Phillip Pullman's popular His Dark Materials books. This Christmas, however, I gave in and gave it a go. Sadly the general consensus is right. Clearly made in an attempt to create another Lord of the Rings or Harry Potter franchise, the film has neither the flair nor confidence of those films and on top of that struggles to adapt Pullman's plot to the screen. That said, there are some pluses- if the script and direction are a bit lacking the visuals are terrific as Lyra's alternate world is brought to life with a vivid psuedo-Steampunk feel. Likewise, Nicole Kidman exudes icy evil as Miss Coulter and Dakota Blue Richards makes for quite a good Lyra. Despite these successes, though, The Golden Compass is not quite pointing in the right direction.

The Sleeper and the Spindle

Leaving behind the Christmas viewing, we turn to something I was lucky enough to get for Christmas - Neil Gaiman's latest book! In it, Gaiman weaves together two traditional tales to form an original feminist fairy tale. As the book's blurb says 'no one is waiting for a prince to appear on his trusty steed here' - it is a queen who risks life and limb to save the sleeping beauty in this story. Gaiman's prose is as crisp and as evocative as ever but in truth the book belongs to both author and illustrator as Chris Riddell's illustrations, beautifully rendered in monochrome and gold, are as equally impressive as the writing. I have been a fan of Riddell since reading The Edge Chronicles when I was younger so am over the moon he is now Neil Gaiman's resident illustrator. A true piece of art, The Sleeper and the Spindle is a proper old-fashioned storybook that takes us back to once upon a time...

Sunday, 29 April 2012

A Nod to Neil



While watching the terrific film adaptation of Neil Gaiman's creepy children's novel Coraline, I had a thought; I've never dedicated a blog post to Neil Gaiman, Master Storyteller and my favourite author. Ever. I intend to put this unfortunate mistake on my part right. Right now.

For those of you who don't know him, Neil Gaiman is a British fantasy novelist who mainly lives in America. Apart from his critically-acclaimed, multi-award winning novels which are increasingly being made into films (Coraline and Stardust are two films based on his works and another, a film version of the Graveyard Book is being developed now) he is also known as the writer of the Sandman comic book series (which I really mean to get around to reading) and as an occasional scriptwriter; he wrote last year's Doctor Who episode 'The Doctor's Wife.'

It's not too easy to say why I like his writing so much. His work is of course incredibly witty and clever, his style of prose captivating but I think it's something more than that. Something on a deeper level.
 Like I connect with the films of Tim Burton, I really feel for the characters in Neil Gaiman books and get incredibly sucked into whatever world it is he has created. Usually it's a world not too different from our own, just a lot more fun. His writing has such a real heart, I think. Basically, I'd describe his writing as magic. There's not really another word for it. Even when his stories don't involve magic, which, on the whole, they don't, they are magic.

Of course, him writing ghost stories, Doctor Who, fairy tales, Batman, dreams and Sherlock Holmes - all areas I am interested in - doesn't hurt.

If you haven't read any Gaiman I highly recommend you should. In turn, you'll be surprised, shocked, humoured, thoughtful, entertained and even tearful. Below, are my five favourite examples of his stuff. If you are interested in reading any do check them out.




Good Omens
Although not much of a Terry Pratchett fan, I love this combined effort of both author's talents concerning the run up to Armageddon. First and foremost, it's hilarious. Totally written for laughs, we get to know a host of bizarre characters as they all attempt to prevent the Anti-Christ destroying the Earth. The angel Aziraphale and the demon Crowley are my favourites; after being stuck on Earth since Creation, the two have formed a close friendship despite the fact they are meant to be on opposite sides. Great fun!



Batman: Whatever Happened to the Caped Crusader?
And now for something completely different. The conceit of this comic, that Gaiman was asked to write as 'the final Batman comic', is that the Dark Knight is dead. All his greatest friends and enemies are gathered at his wake to pay respect to Gotham's now-late Hero. If this all sounds a bit of a downer the twist comes as we realise Batman, in the form of a ghostly apparition, is a guest at his own funeral (don't worry, this isn't a spoiler). It's heart-warming stuff which provides all the reasons why you should get into Batman and love Gaiman's work in general.


Smoke and Mirrors
One of the best things about Gaiman's writing is the chance to dive into his singular imagination. And what better way to do that then in a collection of his short stories which features a plethora of great tales and ideas. Read about the cat who protects his owner's family every night from the devil or the old woman who finds the Holy Grail in a charity shop or what happens to the world when a cure for cancer is discovered - that also has some unexpected side-effects.
Smoke and Mirrors has something for everyone, whether you like fantasy, fairy tale, sci-fi or just great storytelling.




Doctor Who: The Doctor's Wife 
Well, obviously I love this one. A Doctor Who episode written by Neil Gaiman. Duh! It's a fab idea for a Who episode though; what if the TARDIS became a person? It's title is a bit misleading but I forgive it that cos it's a radical, shake-em-up concept that you knew would only last an episode (like the Doctor's Daughter). It makes you look at the show in a new light. And for that to be done to a 49 year old programme is no small credit to Gaiman's talents.

 The Graveyard Book
Most probably my favourite Gaiman novel. A Gothic riff on Kipling's classic the Jungle Book, this tells the story of a boy raised by ghosts in a graveyard. Just the idea of that is amazing for me but it's followed through superbly. Gaiman's prose and story-telling abilities are at their sharpest. Each chapter moves the story onward a few years so we see the boy, Nobody 'Bod' Owens, grow older. We follow Bod on adventures involving witches, trolls, werewolves and - worst of all! - his first day at school. It's a book for older children primarily but I think it's great joy is that anyone can get something from it. Much like Gaiman's writing on a whole.



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