Ellen Ripley has come to symbolise the ultimate female
character for me, the one by which I measure all others across film,
literature, and video games. She undertakes a transition across four films that
promotes the maternal instinct, intelligence, bravery and an ability to adapt
and survive in ways which are almost exclusively reserved for male characters,
whilst the films also confront issues of rape, sexual threat, and the loss of a
child, and Ripley is developed enough to make mistakes, miscalculate a
situation, and react impulsively. This
incredibly strong character is important to me not only as a landmark in film
and gender history, but also because I've grown to really like her. She is
endlessly entertaining; whether she is being funny and ballsy, or is terrified
and fighting for her and others’ lives. What’s more I can really relate to her
struggles, and that’s something that’s very important considering I'm a young
male viewer in his early twenties.
Although Ripley has a handful of romantic connections to
other characters, even if some of these are barely hinted at or are left on the
cutting room floor, she does not suffer as a character from these relationships.
She is never constructed through these male figures, and miraculously she
passes through the hands of multiple screenwriters and directors, without ever
once becoming the besotted and helpless female archetype. Yes, she is portrayed
as an object of sexual desire, and by that I mean both for humans and aliens,
but she isn't defined by that attribute unlike many female characters. Her
sexual appeal is considerably more relevant to the series’ concerns with sexual
fear, rape, abortion, childbirth and the male psychological fear of
impregnation, than it is relevant to her character traits.
When I watched Alien, Ripley was one of the first empowered
female roles that I had experienced. I use the term
empowered carefully as I think it is quite troublesome, and I certainly do not
believe that a well written female character needs to take on ‘male attributes’,
i.e. picking up a gun and being able to kill, this technique often backfires
anyway. Ripley is empowered because she is fully fleshed out as a character;
she’s alternatively weak and strong in different situations, she is conflicted,
she makes mistakes, but she also learns from them - look to the supporting
character Lambert to see the female role that Ripley has evolved from. I knew
that I had found something here that strongly affected me. Ever since I
re-watched this film I have had a very strong interest in female roles, they
now are normally the characters which interest me most when I read/watch/write
something, and this part of my personality, I've come to realise through
writing this post, is largely tied into the character of Ripley.
Ellen Ripley has few real rivals in terms of female film
characters; Sarah Connor is perhaps her only true challenger, but you could
also consider Louise (Thelma and Louise), Beatrix Kiddo (Kill Bill), Raimunda (Volver),
or say Marge Gunderson (Fargo). The reason for me that she rises above these
other great characters is simply that none of those have such a rich and
developed character, one that has been built-up over time and multiple films
into being a strong female role model – a woman that doesn't rely on her
sexuality, but is both believable and relatable.
If you are interested in contributing a future guest post, please send me an email at chalbo@outlook.com, tweet me at @ChristianABone or leave a comment below!
Thanks for having me!
ReplyDeleteNo problem, Rumsey! Cheers for doing it.
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